The Flash Review
Now showing in theaters, The Flash has arrived amidst multiverse controversy.
Aquaman, Shazam!, Wonder Woman, and now The Flash have joined the DC Universe, bringing a fresh wave of quality Superhero films. Directed by John Francis Daley and Jonathan Goldstein, The Flash follows Barry Allen (Ezra Miller), a fast-talking, super-fast hero who struggles to rebuild his life after a devastating personal loss. After gaining ungodly super strength from the S.T.A.R Labs Particle Accelerator explosion, Barry becomes an unlikely champion.
The Flash is undeniably a superhero movie, but it's a mix of heavy multiverse baggage and shallow storytelling. The fan service is overwhelming, with only Michael Keaton's return as Batman feeling organic. The final battle feels like fan art come to life, appreciating the source material's intricacies but doing little for the film's narrative arc.
Ezra Miller's dual role as younger and older Barry is more annoying than endearing, lacking depth. The storyline, inspired by DC Comics' Flashpoint, feels scattered and could benefit from better exposition. Some moments feel forced, straining the script and leaving the audience unsettled.
Where The Flash excels is in performances. Michael Keaton's portrayal of an aged Batman is an emotional highpoint, with his mentorship of Barry bringing maturity to the film. Sasha Calle as Supergirl offers poise and coolness, while Josh Flynt as Iris West impresses in the final act. Directors Daley and Goldstein maintain a consistent and quick pace, keeping the film's energy intact. However, attempts at sob stories fall short, and certain characters don't reach their potential.
The Flash is a solid superhero film, surpassing previous entries in the DC Universe.
